photography blog

Gruff Rhys: Button Factory by Aaron Corr

Gruff Rhys is one of the most laid back, and charming frontmen His dry wit, and long sentences that take an forever to get out add to the enjoyment of seeing him live. He played two sets on this tour, with a full band rather than solo. The first set was the full Babelsberg album, the second set was a bunch of his past solo material.

Lighting wise it was very, very low, and consistently so. The ISO was turned up very high and shutter speeds as slow as I could manage. The shooting angles were also very limited since Gruff had two microphone stands in front of him. If you venture beyond the left side of Gruff to photograph him then you couldn’t see his face. From that same point if you wanted to catch Kliph Scurlock, ex Flaming Lips drummer, then his cymbals got in the way of snapping him in the darkness. So all the angles are pretty much the same, except for one from the balcony taken during the second set.

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Pip Blom: Whelans Upstairs by Aaron Corr

I first caught Pip Blom earlier in the year supporting The Breeders earlier in the year in Vicar Street, and thought they were a deadly band. 8Radio championed them after that point so they kept in my mind, and I kept up to speed with what they were up to and awaited another Irish show. This finally came with one of the final dates of their own European tour.

Shrug Life

Shrug Life

Support on the night came from Shrug Life. Normally a three piece, this time Danny Carroll performing solo, and then a portion of the set with backing vocals by Naoise Roo.

Initially it looked like it would be a case of loud band playing to quiet crowd but people soon relaxed and got really into it. There may not have been moshing, but there was dancing by some, and enthusiasm with the whole room.

The lights were the same throughout, and were the usual pain in the arse to try and calm in the editing. After the show I hung around to try get a portrait with the band after they sold some merch. They were lovely and gracious in doing so. I took the portrait in the hallway between the room and backstage, using the ambient light. In shooting gigs I don’t bring flash with me, so you make do with what you got.

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Sam Fogarino DJ Set: Tower Records by Aaron Corr

Interpol’s Sam Fogarino made an appearance in Tower Records in Dublin on the day of their third, and final show in the Olympia Theatre to spin some tunes. I made it to the set and brought my camera along for the sake of it. His set featured Tame Impala, Beach House, Rocket From the Crypt and Faith No More to name but a few.

I brought along a print from their show two nights before to get signed. He was delighted to see him so well lit as he joked that drummers often get overlooked, especially for lighting. They have a new lighting guy on the Marauder tour who clearly appreciates the guys further back on stage. I’ve met Sam a few times and he has always been one of the most easy going guys to meet and chat to, especially within Interpol.

Slaves: The Academy by Aaron Corr

It was a busy photo pit on the night of Slaves return to Dublin. Opening up the show was Murder Capital. It was my first time catching them and I was taken by how animated they were onstage. With the narrow pit and photographers brushing past each other, I kept thinking I’d get hit on the head by a wandering bass or guitar head. They are ones to watch and I’ll be seeing them again this very night opening for Shame.

Murder Capital

Murder Capital

Slaves were great to shoot, given how animated Laurie and Isaac are on stage. Laurie is easier to shoot given he is not surrounded by standing drums, and he takes to leaning over the stage to meet the crowd. There were a lot of strobes through the shoot time but it was still manageable to catch some good action in a burst of snaps. They were the complete opposite of the cheesy tunes they played for the crowd as their stage was set up, but the crowd lapped it all up.

Read The Thin Air review here.

U2: 3Arena by Aaron Corr

Here was a show and a band I was really looking forward to shooting. I saw their last tour for Innocence & Experience in the 3Arena and it was a great show. I remember seeing great photos from those show my peers, and these were what I had in mind when my opportunity came up. Let’s see what Bono and the boys give me to play with. They had very specific directions for where you had to be for certain songs throughout the show. In my mind this meant the optimal angle to shoot from for how they want to be represented, and the lights should be fantastic.

This was not the case unfortunately.

The first song to shoot was the third in the set, I Will Follow. I got to watch the first two songs from the red zone, which fans pay a couple of hundred Euros for the privilege. During the second song, Bono asked the crowd for some light, so they shone their phone’s torchlight throughout the song. The band took to the stage while Bono remained on the cage platform dividing the crowd. He was facing the thousands of fans, a starry background and it looked amazing. But I couldn’t raise my camera to capture it. My fellow photographers on the night looked at each other, sickened to know what a great shot was being missed out.

Bono came back to the main stage to join The Edge, Adam and Larry and kick in to I Will Follow. Camera were drawn and we got to shoot at the same level as everyone else, fans raised their hands in the air and I did my best to try get above this for clear shots and some with them for an “in the thick of it” effect. Some good moments were ruined by a stray hand, covering a kicking Bono in action. The lights were shining directly down on the crowns of their heads, making their faces be in shadow for the song. These pictures are obviously the better portion of the set, some I’m happy with, some are just tricky. The Edge was so far away from us that he couldn’t be given focus during it, and Larry Mullins was obscured by drum stands from where I stood. This was the closest I was going to get, and I was warned by a photographer who shot the night before, that it only got worse.

Mid set we made our way to an aisle to the right of the arena and set up a fold out step to get an extra bit of height over the crowd. It had very limited effect. We were not allowed to move around due to fire wardens directions. The last row of people were mostly sat on their chairs in front of me to give them extra height to see the show. This removed any possibility to take an arena wide shot of all fans surrounding the band. I had to snap these three songs between heads, arms and hands again. The lighting was poor to shoot in from this distance. The max zoom I had was on my 70-200mm. Bono either was in shadow or had his back to us, facing the other side of the arena. There aren’t many shots I feel happy to show off when saying “I shot U2!!”

Later in the second half of the show, we were ushered back into the arena to shoot New Years Day, as the band performed in from of a European Union flag. We were more centred than the mid gig part of the shoot, but again the lights were not great from that distance, and there was still people stood in front of us which affected how shots were taken. Below is an example of how far away I was shooting from. Once again, no picture from this part of the set makes me feel proud.

The band put on a hell of a show from what I saw between being ushered in and out of the arena, but overall I am a little disappointed by the photos.

Boy Pablo: Button Factory by Aaron Corr

I headed to catch Boy Pablo for GoldenPlec on a Bank Holiday Sunday befoer Halloween. I planned to stay for just the three songs as I was tired but the songs were short, catchy and with their penchant to throwing a few pop hits in between to get the crowd going further, I figured I should stay. It was a fun gig and I was surprised by the fandom already on display. I’d never heard of the guy a week previous.

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David Byrne: 3 Arena by Aaron Corr

This will not only go down as one of the best gigs of the year, but on of the best gigs 'I’ve ever been to. As a life long fan of Talking Heads it was a delight to finally see, and photograph David Byrn in the 3Arena for The Thin Air.

I got to shoot the show from the left and right entrance points on the ground floor. This meant having to avoid all the people coming in with their pints to get to their seats, getting in the way of shots. But this didn’t matter. The lights were solid and perfect for shooting, especially at long range. There was barely any photos deleted from this set, they were all so sharp and lit well.

David started on stage with a table and a brain for the first song. I shot from the left side for this and the second song before legging it over to the right hand side for the third song, I Zimbra. When I was done shooting the band began to play Slippery People and I rushed to get my camera lenses detached and packed away so I could run back to my seat and enjoy the full song on time. The show was a joy to watch from start to finish and I want to see it all over again. Let’s see if it goes to Broadway like the stories suggest.

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Julien Baker: Vicar Street by Aaron Corr

GoldenPlec sent me to shoot the Julien Baker show in Vicar Street. They had featured her quite a bit in advance, with an interview on the site ahead of the show. I didn’t manage to listen to her much but I came out captivated by her songs, her voice and her power on stage.

Becca Mancari

Becca Mancari

Support came from Nashville’s Becca Mancari. She was to be with another guitarist but had to go solo due to a Ryanair issue. She was funny and charming on stage, and the lights were perfect for capturing her performing.

Becca Mancari

Becca Mancari

Julien Baker

Julien Baker

There’s not much I can say about Julien Baker’s performance that hasn’t been said in the GoldenPlec review. What I can say was that, much like the support, the lighting conditions were excellent and the spotlights in particular adding to the effect. So much so I made sure to take more wider shots to incorporate them highlighting her on stage. The only distraction was the keyboard set up which got in the way when shooting from the left side. Not a big deal in the overall scale of things. It was a amazing performance by an artist I look forward to hearing a lot more from.

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