performer

Julien Baker: Vicar Street by Aaron Corr

GoldenPlec sent me to shoot the Julien Baker show in Vicar Street. They had featured her quite a bit in advance, with an interview on the site ahead of the show. I didn’t manage to listen to her much but I came out captivated by her songs, her voice and her power on stage.

Becca Mancari

Becca Mancari

Support came from Nashville’s Becca Mancari. She was to be with another guitarist but had to go solo due to a Ryanair issue. She was funny and charming on stage, and the lights were perfect for capturing her performing.

Becca Mancari

Becca Mancari

Julien Baker

Julien Baker

There’s not much I can say about Julien Baker’s performance that hasn’t been said in the GoldenPlec review. What I can say was that, much like the support, the lighting conditions were excellent and the spotlights in particular adding to the effect. So much so I made sure to take more wider shots to incorporate them highlighting her on stage. The only distraction was the keyboard set up which got in the way when shooting from the left side. Not a big deal in the overall scale of things. It was a amazing performance by an artist I look forward to hearing a lot more from.

Click any photo or here for full gallery.

Sigrid: The Academy by Aaron Corr

Sigrid is a star on the rise, so I made sure to get to her show to catch her on the smaller stage for GoldenPlec before she ends up playing bigger, and less intimate shows.  I only stayed for the three songs I shot so I can't really comment on the gig itself, but you can read all about it here.  I did have a giggle at the set list noting when to talk to the crowd, and what to say.  The crowd were going crazy for her on the night and I don't think the smile once left her face while I was taking photos.

St. Vincent: Olympia Theatre by Aaron Corr

After beginner her tour that week in the UK to rave reviews from critics, but mixed reviews from Twitter punters, St. Vincent returned to Ireland to play two shows in the Olympia Theatre.  Annie Clark was allowing photographers to shoot four songs in the middle of the show, catching her last two songs performed in the first set, and the first two songs of the second set.  This meant I got to take photos of her in two different outfits she wore for the show which mixed up the look of the whole photo set.

The feedback from the Dublin shows was phenomenal, the was no mixed reaction like in the UK to her appearing solo, there was no screams of "glorified karaoke".  The show highlighted how great a voice she has and even more so highlighted what an amazing guitarist she is.  Wielding her many coloured variations of her signature Ernie Ball guitar, she out shined many a guitar hero and put herself up there with the best.

For the first set she wore a pink PVC/leather outfit with knee high boots and sang from different areas of the stage for each song, sometimes barely visible from my vantage point in the crowd, hidden by speakers.  The lighting was a photographer's dream so when it came time to the shoot the lighting mixed between good strong lighting on Annie, to some strobes, low lights and light smoke. 

For the second set she worse the silver dress and the background was now giant screens.  My only gripe on that front was that, although the background colours and images were fantastic to use, the lines across the screen and moiré that would appear on the shots take a little bit away from the final result.  For the solid colour backgrounds I did contemplate giving it a bit of a blur to get rid of the effect but let them be since I couldn't do it for all of them.  While the results may be cooler from the last few tours with her band , I must say that overall this was one of my favourite shows to shoot, ever.

Juanita Stein: The Grand Social by Aaron Corr

It's been just over 10 years since I saw Howling Bells play a show in Limerick's Dolans.  I was a fan of the album at the time but after their live show I loved them even more.  I never saw them live again, and I am not sure if they ever did return to Ireland to tour so I was happy to see Juanita Stein announce a tour.  Juanita's Dublin show fell on a miserable Friday night in Dublin.  Support came from Navan's Chinese Newspaper.

As much as I looked forward to seeing Juanita's solo show, something crept up that I was well advised not to miss, HMLTD in Workman's Club.  So unfortunately I stayed long enough to shoot a few songs from Juanita's set and ran to see and take some photos down the Liffey at Workos.  Sometimes Dublin is like that, just like the weather outside that night when it comes to bands in town, when it rains, it pours.

Kate Nash: The Academy by Aaron Corr

When I completed my shoot of Brian Wilson’s show in Bord Gais Theatre I realised it was still very early and was thinking that I could have easily have shot the Kate Nash gig that same night, but usually there is no way of planning this and it working.  The Academy is on one of my routes home so I strolled past it at 8:45 and saw crowds of fans outside having a cigarette.  I chanced my arm and walked up to the MCD person working at the front door and asked if there was any spare passes to shoot.  As it turns out MCD’s snapper opted out of the shoot and now I had the pass to shoot my second show of the night.

I wasn’t long waiting before Kate Nash’s band took to the stage to play their intro before she took to the stage.  The set up on stage was busy with flowers, trees, streamers and clouds, the lights were heavy on purples, greens and blues and Kate was ready to reacquaint everyone with her debut album.  She stalked the stage left to right after teasing a verse & chorus of her biggest hit, Foundations.

This was the first show of the tour and the band were in fine form, with plenty of hair flicking and rock poses.  Kate, fresh from her success in starring in Netflix's GLOW, was bouncing around and by the last song of the shoot was down to the front row of the crowd to scream the words to Dickhead into the eager fans faces.

The usual Academy issues still applied, mainly being the harsh colours and the annoying efforts it takes to try fix them in Lightroom but I was happy to get shooting the show regardless.  Especially given the contrast to the fixed and distant position given to me in Bord Gais for the previous shoot.  

Angel Olsen: Vicar Street by Aaron Corr

The Thin Air sent me to shoot Angel Olsen’s return to Dublin in Vicar Street.  I missed out on catching the support from Tim Darcy.  If I realised it was the frontman of Ought then I would have tried to get there sooner to catch him in action.  As things stood I was to catch Angel in action and leave after the three song shoot rather than stay to watch the show.  Luckily for me I got to see her play my favourite tune of 2016 (off the top of my head), Shut Up Kiss Me, from the vantage point of the photo pit.

When she arrived on stage all was dark.  She was then lit a little while the other band members were kept in shadow.  Things lit up better by the second song, the blue lights exposed the cool, glitzy backdrop to the band.  As she struck the opening chords to the third song in the set, the aforementioned Shut Up Kiss Me, the lights were now yellow/gold, enhancing the background but still not entirely providing a great opportunity to shoot the other band members.  This doesn’t bother me as much given it’s all about Angel Olsen.  

Click here to read the reviews of her Irish Tour on The Thin Air.