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Slaves: The Academy by Aaron Corr

It was a busy photo pit on the night of Slaves return to Dublin. Opening up the show was Murder Capital. It was my first time catching them and I was taken by how animated they were onstage. With the narrow pit and photographers brushing past each other, I kept thinking I’d get hit on the head by a wandering bass or guitar head. They are ones to watch and I’ll be seeing them again this very night opening for Shame.

Murder Capital

Murder Capital

Slaves were great to shoot, given how animated Laurie and Isaac are on stage. Laurie is easier to shoot given he is not surrounded by standing drums, and he takes to leaning over the stage to meet the crowd. There were a lot of strobes through the shoot time but it was still manageable to catch some good action in a burst of snaps. They were the complete opposite of the cheesy tunes they played for the crowd as their stage was set up, but the crowd lapped it all up.

Read The Thin Air review here.

Boy Pablo: Button Factory by Aaron Corr

I headed to catch Boy Pablo for GoldenPlec on a Bank Holiday Sunday befoer Halloween. I planned to stay for just the three songs as I was tired but the songs were short, catchy and with their penchant to throwing a few pop hits in between to get the crowd going further, I figured I should stay. It was a fun gig and I was surprised by the fandom already on display. I’d never heard of the guy a week previous.

Click here for full gallery.

Stephen Malkmus & The Jicks: Vicar Street by Aaron Corr

Pavement’s main man Stephen Malkmus returned to Dublin with his band, The Jicks, in support of their new album, Sparkle Hard. I covered the show for The Thin Air and got in early to catch Tandem Felix for my first time.

Tandem Felix

Tandem Felix

My first portrait shoot after I moved to Dublin was with David Tapley of Tandem Felix, for Plec Picks 2014, & Éna Brennan, aka Dowry, is also in the band and featured in a shoot of mine from the past year, yet I’d never got around to catching them live. They were great too, I can finally say!

I enjoyed shooting Stephen Malkmus. The lights were ok, nothing amazing or bad. It wasn’t a busy pit on the night, and the venue wasn’t sold out which surprised me for a Friday night. Those who missed out missed the Pavement ‘covers’ he threw in at the encore which made everyone’s night.

Gary Numan: Olympia Theatre by Aaron Corr

My initial thoughts of shooting Gary Numan would be that he would have many a pose and would make for a cool picture.  I didn't factor his heavy use of smoke and strobes on stage when I headed to the Olympia for The Thin Air.  This made things quite tricky, particularly given how much Gary moves around on stage.  He doesn't stop, and when he does the microphone obscures most of his face as you try catch a break between the flickers of light.  Add to this some dark green lights during one of the three songs covered.  

I had my second camera (Canon 7d) on me with a 70-200mm, as usual for an Olympia Show, but this was rarely used for close ups because of his constant movement.  I think there is only one shot I bothered with when it came to editing which you can see below.  Even at that, it is slightly overexposed.  He was still worth shooting, just a tricky subject to photograph.

Sigrid: The Academy by Aaron Corr

Sigrid is a star on the rise, so I made sure to get to her show to catch her on the smaller stage for GoldenPlec before she ends up playing bigger, and less intimate shows.  I only stayed for the three songs I shot so I can't really comment on the gig itself, but you can read all about it here.  I did have a giggle at the set list noting when to talk to the crowd, and what to say.  The crowd were going crazy for her on the night and I don't think the smile once left her face while I was taking photos.

Franz Ferdinand: Olympia Theatre by Aaron Corr

Franz Ferdinand have a knack for playing Sunday night shows in Dublin.  The last time they played a few years ago I had just returned from a heavy stag weekend in Sligo and was a little worse for wear.  I was in better shape on this February night for The Thin Air and was looking forward to catching Fontaines D.C.  for the second time.  Alex Kapranos later remarked on stage how Hurricane Laughter was one of his favourite tunes of recent times.

Fontaines D.C.

Fontaines D.C.

I had mixed feelings about how Franz were going to play out.  The singles were ok but I hadn’t kept going back to them like singles of old.  Any album b-sides I heard or saw performed live on TV or web were not hitting the spot either.  Somehow it all clicked at this gig and I was won over and digging the newly rejuvenated Franz Ferdinand.  I've already my tickets in hand to go see them again with the Killers this Summer.

It was still not the most brilliantly lit show I’ve ever shot, much like their last show in the Olympia, but it still was enough to get some cool shots of Alex jumping.  They have a cool backdrop that was never well lit at the same time as the band.  The third song, Evil Eye was complete darkness except for the background, with Kapranos’s constant movement on stage it made it not even worthy of a god silhouette shot.  So pretty much all the best results from this set are from the first two songs. 

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Rosborough: Plec Picks 2018 by Aaron Corr

The GoldenPlec Plec Picks shoot with Rosborough was a last minute addition to my schedule of shoots.  The Derry man was in town to play the Paul McLoone Christmas show in the Workmans Club with Bitch Falcon and Otherkin.  The shoot would have to happen in or around the venue between soundchecks.  I was used to this happening with the GoldenPlec gigs that used to run every month in there, but the need to make the shoot not look the same as all the portrait shoots that has happened there is the tricky part.

I arrived to meet Glenn and set up my usual equipment, Canon 430 EXII Flash on a tripod lit through a soft-box.  I got him to stand and I took some portraits where I’d darken the background so that it is not visible.  There was some reflection of the flash in the doors that I removed or muted in photoshop.  We took some wider shots that takes in the main bar room of Workmans before I made things a little more portable to take photos on the stairway.

I used a portable soft-box, held in my left hand and tested this for a few shots while Glenn sat on the stairs.  I wanted to get a look with the yellow and red steps adding some muted colour to the shots.  We finished up with the same set up on the landing between the ground and first floor.  The look of there has changed since I took Orla Gartland’s portait there so I didn’t feel like I was retreading old turf by shooting there. 

I've seen Rosborough twice now, once acoustic, and the past weekend electric with his drummer.  His voice is incredible, and he really has the potential to have an amazing career.  If you get a chance to catch him live, do it.

Click to read the feature, click here to see my gallery.

Vulpynes: Plec Picks 2018 by Aaron Corr

Vulpynes were the first band I shot for GoldenPlec's Plec Picks for 2018.  Maeve & Kaz hit upon the idea of using the Light House cinema in Smithfield as an interior for some of the shoot.  It was December, it was freezing and the options can be tricky.  We got the go ahead from the manager, and a time for when it wouldn’t be too busy in the halls while screenings were in progress.  The trick to this part of the shoot was balancing the ambient light with the strobe.  I wanted to get these wide shots, but the strobe sometimes would overpower the fairy lights.  While there was no one breathing down our necks to hurry it up, I knew we had to keep things ticking along and not take the piss, so I got to a point where the lighting felt like a happy medium.   

I took some solo snaps of each of the girls, leaving the strobe alone for these shots since being this close to the fairy lights wasn't working to balance the two.

We ventured out to the cold and had a look towards a pub that we hoped to use.  It was busy for a Monday so we nixed that idea.  We moved up towards the Old Woolen Mills area to see what the square there was like.  We shot a few portraits on staircase, I used my portable soft-box for this part of the shoot.

We moved on to a location I'd long had in mind to use.  It was just around the corner from where I live in Dublin 7 and was a corner of a traffic junction, previously a wall with posters on it, and now it's a section of a rustic garden.  I like finding places in the city centre that look like you are somewhere completely different.  I set up the strobe on a tripod with the soft-box and we took within five minutes to take some photos as traffic passed us by.  Maeve and Kaz were great to hang out with and I'm grateful for them to participate in some of the colder shots on the night.  

Click to read the feature, and here for my gallery.